I was asked to recommend some atonal music.
The perpetrator of the request was a large white canine, approximately 6 foot 5 and weighing 120 pounds, prominent belly, with sagging jowls and red hair. I heard him say his destination was "sometimes". On foot.
This first version is off the top of my head only! Maybe to be followed by revised and amended list.
-------------------------------
Let's begin before atonality, and cover the transition.
Heh. Bach. Some fugues are so chromatic that they're almost atonal
Mozart -- Dissonance quartet intro, fugue in Jupiter, other chromatic moments, multiple bands at once in Don G.
Wagner
Bruckner
--------------------
Mahler -- last works verge on atonality at times
Hugo Wolf -- so chromatic and extreme that he's almost atonal
Schoenberg 1 -- Up to Gurrelieder
(but not Liszt, who was always a show-off)
Scriabin, his piano music but not his orchestral music, which sounds bombastic
Szymanowski wrote the orchestral music that Scriabin seemed to be going for,
and it too is often extremely bombastic. Wagner with his silk underwear removed, plunged into vast panerotic orgies. Sometimes magic, sometimes overwritten. Amphibious -- half in, half out.
Shostakovich -- the preludes and fugues for piano, the string quartets (mostly astringent and elusive but very good and very unique)
Sibelius
Not Max Reger, who is merely overstuffed, overelaborate, like a lesser William James
Ives tonal
Bartok tonal
Stravinsky tonal
Samuel Barber tonal
Copland tonal
Messiaen tonal (maybe one piece out of four or five)
Carter tonal -- imo never had the ear of a Copland or an Ives, but had a sense of design and a work-ethic. Many of his early pieces are sort-of tonal.
Brits: Tippett, B. Britten, Walton
=================================
(Atonal Side, or composer's atonal)
Schoenberg atonal
Berg (both Berg and Webern apprenticed with tonal works)
Webern
Ives atonal
Bartok atonal
Stravinsky atonal
Samuel Barber atonal
Carter atonal -- Variations for Orch. more accessible than Piano Concerto
Varese
Dallopiccola
Peter Lieberson
Mario Davidovsky
Boulez -- try Repons, other pieces from this (fairly late) period
===================================
Rock and Jazz
The canine individual already knows these cats
Zappa
Eric Kloss
Pat Martino
Miles Davis
Coltrane
Mcoy Tyner
Jarrett
Jaki Byard
Hermeto
some recent fave pianists who can play out if they choose: Billy Childs, Stephen Scott,
Heh. Bill Evans. Give the man enough cocaine and enough chord changes, and he could approach atonality through sheer gabbiness
Hiromi (just so that varwoche doesn't have to så¥ it)
The perpetrator of the request was a large white canine, approximately 6 foot 5 and weighing 120 pounds, prominent belly, with sagging jowls and red hair. I heard him say his destination was "sometimes". On foot.
This first version is off the top of my head only! Maybe to be followed by revised and amended list.
-------------------------------
Let's begin before atonality, and cover the transition.
Heh. Bach. Some fugues are so chromatic that they're almost atonal
Mozart -- Dissonance quartet intro, fugue in Jupiter, other chromatic moments, multiple bands at once in Don G.
Wagner
Bruckner
--------------------
Mahler -- last works verge on atonality at times
Hugo Wolf -- so chromatic and extreme that he's almost atonal
Schoenberg 1 -- Up to Gurrelieder
(but not Liszt, who was always a show-off)
Scriabin, his piano music but not his orchestral music, which sounds bombastic
Szymanowski wrote the orchestral music that Scriabin seemed to be going for,
and it too is often extremely bombastic. Wagner with his silk underwear removed, plunged into vast panerotic orgies. Sometimes magic, sometimes overwritten. Amphibious -- half in, half out.
Shostakovich -- the preludes and fugues for piano, the string quartets (mostly astringent and elusive but very good and very unique)
Sibelius
Not Max Reger, who is merely overstuffed, overelaborate, like a lesser William James
Ives tonal
Bartok tonal
Stravinsky tonal
Samuel Barber tonal
Copland tonal
Messiaen tonal (maybe one piece out of four or five)
Carter tonal -- imo never had the ear of a Copland or an Ives, but had a sense of design and a work-ethic. Many of his early pieces are sort-of tonal.
Brits: Tippett, B. Britten, Walton
=================================
(Atonal Side, or composer's atonal)
Schoenberg atonal
Berg (both Berg and Webern apprenticed with tonal works)
Webern
Ives atonal
Bartok atonal
Stravinsky atonal
Samuel Barber atonal
Carter atonal -- Variations for Orch. more accessible than Piano Concerto
Varese
Dallopiccola
Peter Lieberson
Mario Davidovsky
Boulez -- try Repons, other pieces from this (fairly late) period
===================================
Rock and Jazz
The canine individual already knows these cats
Zappa
Eric Kloss
Pat Martino
Miles Davis
Coltrane
Mcoy Tyner
Jarrett
Jaki Byard
Hermeto
some recent fave pianists who can play out if they choose: Billy Childs, Stephen Scott,
Heh. Bill Evans. Give the man enough cocaine and enough chord changes, and he could approach atonality through sheer gabbiness
Hiromi (just so that varwoche doesn't have to så¥ it)
via International Skeptics Forum http://ift.tt/2zXgum2
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